A full portfolio of the U-boat art of naval artist Anthony
Saunders.
U-203 Under Cover of Darkness by Anthony Saunders.
October 1941, U203 approaches her mooring on the western bank at the French port of Brest. Her fate would be sealed by depth charges from the destroyer HMS Pathfinder and aircraft from the escort carrier HMS Biter while attacking the convoy ONS 4 south of Greenland on April 25th 1943.
Item Code : DHM0853
U-203 Under Cover of Darkness by Anthony Saunders. - Editions Available
17th February 1943, U-201 with U-69 were ordered to intercept the westbound convoy ONS165. With fuel low U-201 was eventually forced to surface following a depth charge attack and rammed by the Destroyer HMS Fame.
Item Code : DHM0969
U-201 Deadly Chase by Anthony Saunders. - Editions Available
Germanys U-boat fleet had almost brought Britain to its knees in the First World war, twenty years later the story was very similar. the German U-boat arm came perilously close to cutting the lifeline that crossed the Atlantic between North America and Britain. in the early years of the war Donitz realised that keeping his U-boats at sea for as long as possible would greatly increase their chances of success. here U-93 (left) and U-94 take fuel from the auxiliary cruiser Kormoran whilst in the mid-Atlantic during 1941
Item Code : DHM1285
Dawn Rendezvous by Anthony Saunders. - Editions Available
Lother Gunther Buchheim based his famous novel The Boat on his voyage aboard U96 in the early days of World War Two. During this operation on 13th February 1941, U96 sank the straggling tanker, Arthur F Conwin, which had dropped back from the westbound convoy, HX106, after being hit by another U-boat, U103.
Item Code : DHM0968
Das Boote by Anthony Saunders. - Editions Available
The entry of the United States into the war opened up vast new hunting grounds for the German u-boat fleet. Operation Paukenschlag (Drumbeat in English) began in January 1942, bringing the U-boats their easiest pickings of the war. Over 300 allied vessels were sunk during the Paukenschlag along the US coastline, ranging from New York harbor, to the Straits of Florida. This period, also known as the second Happy Times to the men of the U-boats, was only brought to an end in mid 1942 by the formation of allied convoy systems. On the evening of April 5th 1942, U552, commanded by Kapitanleutnant Erich Topp, sealed the fate of the British tanker MV British Splendour east of Cape Hatteras. The U-boat was part of the fourth wave of boats of Operation Paukenschlag, she returned to Saint Nazaire on April 27th 1942 having sunk seven ships during the patrol.
Item Code : DHM1088
Operation Drumbeat by Anthony Saunders. - Editions Available
Portrayed in the southern lock at the French port of Saint Nazaire during the Autumn of 1941 are from left: U552, commanded by Kapitanleutnant Erich Topp, U567, commanded by Oberleutnant zur See Engelbert Endrass and U93, commanded by Oberleutnant zur See Horst Elfe. Saint Nazaire was home for two U-boat flotillas: 7. U-Flotille, the Wegener Flotilla and 6.U-Flotille, the Hundius Flotilla. It produced some of the top U-boat commanders including Topp, Endrass, Prien and Kretschmer. The base reached a peak of activity in mid 1943, however, by the end of the war the entire port had been flattened by the allied air forces. The only buildings to survive the onslaught were the bomb proof U-bunkers which can still be seen to this day.
Item Code : DHM1089
Wolves at Saint Nazaire by Anthony Saunders. - Editions Available
Anthony Saunders must be one of the most outstanding naval and aviation artists around today. He has extraordinary skill in portraying scenes of aerial combat that took place before he was born. Although in his own words Anthony prefers the artistic side of painting war aircraft rather than the historic side, he will spend many hours researching a subject, making sure that it is technically correct in every detail before applying any oil to canvas. The results of this technical and artistic skill are easy to see in his paintings; breathtaking skyscapes graced with the machines of aerial warfare beautifully brought to life with the rich colour that is unique to oil paint. With this skill it is hardly surprising that Anthony also paints many subjects other than aviation; scenes from Crimea and Waterloo are a particular favourite. He is equally at home with landscapes and portraits.
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